| 1 | Fantasia upon a Ground in d minor for 3 violins and continuo), Z. 731 | 5:44 |
| Peter Gibbs, Granville Jones and Neville Marriner, violins / George Malcolm, harpsichord | ||
| 2 | Oedipus (1692), Z. 583 – Song: Music for a while (text: J. Dryden & N. Lee) | 4:05 |
| 3 | I love and I must, Z. 382 (text: Purcell) | 2:58 |
| 4 | The Comical History of Don Quixote, Z. 578 – Part I: Let the Dreadful Engines (text: d'Urfey) | 7:45 |
| 5 | The Faerie Queen, Z. 629 – Epithalamium "Thrice happy lovers" (text adapted from Shakespeare: A Midsummer Night's Dream) | 3:07 |
| 6 | Song: If music be the food of love (1st version, 1692), Z. 379A (text: H. Heveningham) | 2:37 |
| 7 | The Blessed Virgin's Expostulation "Tell Me, Some Pitying Angel", Z. 186 (text: N. Tate) | 7:51 |
| 8 | Not All My Torments, Z. 400 (text: Purcell) | 2:22 |
| 9 | Upon a Quiet Conscience "Close Thine Eyes", Z. 184 (text: F. Quarles) | 4:17 |
| 10 | King Arthur, Z. 628 – Venus's Song "Fairest Isle, all isles excelling" (text: J. Dryden) | 2:42 |
| 11 | Pausanias, Z. 585 – Sweeter than roses (text: Norton) | 3:35 |
| 12 | The Fatal Hour Comes Apace, Z. 421 (text: Purcell) | 4:22 |
| 13 | Ode on Queen Mary's Birthday (1693), Z. 321 – Crown the Altar (text: N. Tate) | 2:50 |
| 14 | The Indian Queen, Z. 630 – I attempt from Love's Sickness to Fly (text: J. Dryden & R. Howard) | 2:17 |
| 15 | Bonduca, Z. 574 – Bonduca's Song "Oh! lead me to some peaceful gloom" (text: Purcell) | 3:10 |
| 16 | Dioclesian, Z. 627 – What Shall I Do to Show All Much I Love Her? (text: Purcell) | 3:53 |
| 17 | The Comical History of Don Quixote, Z. 578 – Part III: From rosy bow'rs (text: D'Urfey) | 7:17 |
| Alfred Deller, countertenor Maurice Bevan, baritone (3, 8) / April Cantelo, soprano (2, 6, 8) / Walter Bergman, harpsichord (1, 4, 5, 7, 9-16) / George Malcolm, harpsichord (2, 3, 6, 8) |
| 1 | The Faerie Queen, Z. 629 – Secrecie's Song | 2:02 |
| 2 | The Faerie Queen, Z. 629 – Mystery's Song | 0:56 |
| 3 | Cantata "If ever I more riches did desire", Z. 544 – Here let my life | 2:52 |
| 4 | Ode on St. Cecilia's Day "Welcome to all the pleasures", Z. 339– Here the Deities approve | 4:40 |
| 5 | Dioclesian, Z. 627– Since from my dear Astrea's sight | 3:58 |
| 6 | The Faerie Queen, Z. 629 – The Plaint | 7:27 |
| Alfred Deller, countertenor / Leonhardt Baroque Ensemble / Gustav Leonhardt, harpsichord | ||
| 7 | Ten Sonatas in Four Parts (c. 1680): Sonata No. 9 in F (Golden Sonata), Z. 810 – Allegro | 1:20 |
| 8 | Adagio | 1:46 |
| 9 | Canzona Allegro | 1:44 |
| 10 | Grave | 1:21 |
| 11 | Allegro | 1:24 |
| Peter Gibbs, violin / Desmond Dupré, viola da gamba | ||
| 12 | Musick's Hand-made, Part II (1687): Music Lessons 1-6 – Song Tune in C, ZT. 694 | 1:04 |
| 13 | Con Spirito, Z. 647 | 0:53 |
| 14 | March in C, Z. 648 | 0:57 |
| 15 | New Minuet in D Minor, ZT. 689 | 1:22 |
| 16 | Minuet in A Minor, Z. 649 | 1:03 |
| 17 | Minuet in A Minor, Z. 650 | 0:53 |
| 18 | Musick's Hand-made, Part II (1687): Music Lessons 7-12 – A New Scotch Tune in G, Z. 655 | 1:26 |
| 19 | A New Ground in E Minor, ZT. 682 | 2:28 |
| 20 | A New Irish Tune, Z. 646 | 0:33 |
| 21 | Rigadoon in C, Z. 653 | 0:46 |
| 22 | Sefauchi's Farewell, in D Minor, Z. 656 | 2:05 |
| 23 | Minuet in D Minor, ZT. 688 | 1:07 |
| George Malcolm, harpsichord | ||
| 24 | Sonata in G Minor for Violin and Continuo, Z. 780 – Adagio-Moderato | 2:55 |
| 25 | Adagio con espressione | 1:45 |
| 26 | Vivace | 1:14 |
| Neville Marriner, violin / George Malcolm, harpsichord | ||
| 27 | Suite in D for Harpsichord, Z. 667 – Prelude | 0:23 |
| 28 | Almand | 2:40 |
| 29 | Hornpipe | 1:07 |
| George Malcolm, harpsichord |
| 1 | Overture | 2:46 |
| 2 | Shake the cloud from off your brow (Belinda; Chorus) | 1:07 |
| 3 | Ah! Belinda, I am press'd with torment (Dido) | 4:06 |
| 4 | Grief increases by concealing ... (Belinda, Dido) | 0:35 |
| 5 | When monarchs unite, how happy their state (Chorus) | 0:26 |
| 6 | Whence could so much virtue spring (Dido, Belinda) | 2:01 |
| 7 | Fear no danger to ensue (Belinda, Second Woman; Chorus) | 1:45 |
| 8 | See, your royal guest appears (Belinda, Aeneas, Dido) | 0:57 |
| 9 | Cupid only throws the dart (Cupid) | 0:44 |
| 10 | If not for mine, for empire's sake (Aeneas) | 0:30 |
| 11 | Pursue thy conquest, Love (Belinda) | 0:49 |
| 12 | To the hills and the vales (Chorus) | 1:26 |
| 13 | The Triumphing Dance | 1:15 |
| 14 | Prelude for the Witches | 1:16 |
| 15 | Wayward sisters, you that fright (Sorceress, First Witch) | 1:17 |
| 16 | Harm's our delight and mischief all our skill (Chorus) | 0:20 |
| 17 | The Queen of Carthage, whom we hate (Sorceress) | 0:54 |
| 18 | Ha, ha, ha (Chorus) | 0:14 |
| 19 | Ruin'd ere the set of sun (Witches, Sorceress) | 1:19 |
| 20 | Ha, ha, ha (Chorus) | 0:11 |
| 21 | But ere we this perform (Witches) | 1:25 |
| 22 | In our deep vaulted cell (Chorus) | 0:59 |
| 23 | Echo Dance of the Furies | 1:02 |
| 24 | Ritornello | 0:35 |
| 25 | Thanks to these lonesome vales (Belinda, Chorus) | 1:14 |
| 26 | Oft she visits this lov'd mountain (Second Woman) | 2:09 |
| 27 | Behold, upon my bending spear (Aeneas, Dido) | 0:34 |
| 28 | Haste, haste to town (Belinda, Chorus) | 0:55 |
| 29 | Stay, Prince, and hear great Jove's command (Spirit, Aeneas) | 3:08 |
| 30 | Prelude for the sailors | 0:39 |
| 31 | Come away, fellow sailors (First Sailor, Chorus) | 1:19 |
| 32 | The Sailors' Dance | 0:51 |
| 33 | See the flags and streamers curling (Sorceress; Witches) | 0:58 |
| 34 | Our next motion (Sorceress) | 0:43 |
| 35 | Destruction's our delight (Chorus) | 0:37 |
| 36 | The Witches' Dance (Jack of the Lanthorn Dance) | 1:20 |
| 37 | Your counsel all is urg'd in vain (Dido, Belinda, Aeneas) | 4:20 |
| 38 | Great minds against themselves conspire (Chorus) | 1:15 |
| 39 | Thy hand, Belinda (Dido) | 0:52 |
| 40 | When I am laid in earth (Dido) | 3:06 |
| 41 | With drooping wings ye Cupids come (Chorus) | 2:32 |
| The Deller Consort Dido – Mary Thomas, soprano Belinda, First Witch, First Attendant Woman – Honor Sheppard, soprano 2nd Witch, 2nd Attendant Woman – Ellen Dales, soprano Sorceress – Helen Watts, contralto Spirit, Sailor – Robert Tear, tenor Aeneas – Maurice Bevan, baritone Harold Lester, harpsichord Oriana Concert Choir and Orchestra / Alfred Deller, conductor |
| Hail! Bright Cecilia, Z. 328 | ||
| 1 | Symphony | 10:41 |
| 2 | Hail! Bright Cecilia | 4:51 |
| 3 | Hark, each tree | 5:12 |
| 4 | 'Tis nature voice | 4:19 |
| 5 | Soul of the world | 3:19 |
| 6 | Thou tun'st this world | 4:10 |
| 7 | With that sublime celestial lay | 3:00 |
| 8 | Wond'rous machine | 3:09 |
| 9 | The airy violin | 1:46 |
| 10 | In vain the am'rous flute | 5:13 |
| 11 | The Fife and all the Harmony of war | 3:04 |
| 12 | Let these among themselves contest | 3:20 |
| 13 | Hail! Bright Cecilia | 4:57 |
| April Cantelo, soprano /Alfred Deller, counter-tenor / Peter Salmon, counter-tenor / Wilfred Brown, tenor / Maurice Bevan, baritone / John Frost, bass / George Eskdale, solo trumpet Leonard Friedman, violin / Eli Goren, violin / Richard Taylor, treble recorder / Stanley Taylor, treble recorder / Peter Graeme, oboe / Edward Selwyn, oboe / Philip Jones, trumpet / Denis Clift, trumpet / Alan Taylor, tympani / Anna Shuttleworth, cello and basso continuo / Francis Baines, cello and basso continuo / Denis Vaughan, harpsichord Ambrosian Singers / Kalmar Chamber Orchestra of London Sir Michael Tippett, conductor | ||
| Ode on St. Cecilia's Day "Welcome to all the pleasures", Z. 339 | ||
| 14 | Ouverture (Sinfonia) | 3:15 |
| 15 | Welcome to All the Pleasures | 2:31 |
| 16 | Here the Deities approve (counter-tenor) | 4:06 |
| 17 | While joys celestial (trio) | 1:36 |
| 18 | Then lift up your voices (bass, chorus) | 2:04 |
| 19 | Adagio (harpsichord) | 1:53 |
| 20 | Beauty thou scene of love (tenor) | 3:03 |
| 21 | In a consort of voices (tenor, chorus) | 1:22 |
| The Deller Consort Alfred Deller, counter-tenor / April Cantelo, soprano / Eileen McLoughlin, soprano / Gerald English, tenor / Owen Grundy, baritone / Maurice Bevan, baritone Walter Bergmann, harpsichord Kalmar Chamber Orchestra / Alfred Deller, conductor |
| 1 | I. Solo (soprano) & Chorus: Call the Nymphs and the Fauns from woods | 1:44 |
| 2 | II. Air (soprano): Let the Graces and Pleasures repair | 0:55 |
| 3 | III. Duet (basses): Come, come away, no delay | 1:07 |
| 4 | IV. Chorus: Behold, O mighty'st of gods | 4:18 |
| 5 | V. Paspe (passepied) – Instrumental | 0:51 |
| 6 | VI. Duet (sopranos): Oh the sweet delights of love | 1:40 |
| 7 | VII. Air (soprano) & Chorus: Let monarchs fight for power and fame | 1:53 |
| 8 | VIII. Duet (tenor and baritone): Make room for the great God | 0:49 |
| 9 | IX. Solo (Bacchus) Trio & Chorus: I'm here with my jolly crew | 2:26 |
| 10 | X. Dance of Bacchanals – Instrumental | 1:29 |
| 11 | XI. Air (soprano): Still I'm wishing, stil desiring | 1:51 |
| 12 | (Ritornello - XII): Can Drusilla give no more ? | 3:11 |
| 13 | XIII. Canaries – Instrumental | 0:31 |
| 14 | XIV. Dialogue (soprano and baritone): Tell me why, my charming fair | 6:45 |
| 15 | XV. Dance – Instrumental | 0:53 |
| 16 | XVI. Air (tenor) & Chorus: All our days and our nights | 2:05 |
| 17 | XVII. Dance – Instrumental | 0:49 |
| 18 | XVIII. Trio & Chorus: Triumph victorious love | 5:19 |
| Instrumental Music for the Play | ||
| 19 | Act I: First Music | 2:00 |
| 20 | Act I: First Act Tune or Hornpipe | 0:41 |
| 21 | Act I: Instrumental Interlude | 0:42 |
| 22 | Act I: Dance of the Furies | 2:38 |
| 23 | Act II: Second Act Tune | 1:24 |
| 24 | Act III: The Chair Dance | 1:24 |
| 25 | Act III: Third Act Tune | 0:43 |
| 26 | Act III: Instrumental Interlude | 0:49 |
| 27 | Act IV: Butterfly Dance | 1:39 |
| 28 | Act V: Country Dance | 1:05 |
| The Deller Consort Alfred Deller, counter-tenor / Honor Sheppard, soprano / Sally Le Sage, soprano / Max Worthley, tenor / Philip Todd, tenor / Maurice Bevan, baritone Chor und Orchester des Concentus Musicus Wien / Nikolaus Harnoncourt and Alfred Deller, conductors |
| Henry Purcell: Come, ye sons of art, Z. 323 (text: Nahum Tate) | ||
| 1 | Ouverture (Sinfonia) | 3:53 |
| 2 | Come, come, ye Sons of Art (counter-tenor, chorus) | 2:13 |
| 3 | Sound the trumpet till around (counter-tenors) | 2:40 |
| 4 | Come, come, ye Sons of Art (chorus) | 1:29 |
| 5 | Strike the viol (counter-tenor) | 5:12 |
| 6 | The day that such a blessing gave (bass, chorus) | 3:12 |
| 7 | Bid the Virtues (soprano, oboe) | 3:04 |
| 8 | These are the sacred charms that shield (bass) | 1:43 |
| 9 | See Nature, rejoicing (soprano, bass, chorus) | 2:53 |
| The Deller Consort Alfred Deller, counter-tenor / Mark Deller, counter-tenor / Mary Thomas, soprano / Maurice Bevan, baritone Oriana Concert Choir and Orchestra / Alfred Deller, conductor | ||
| 10 | Henry Purcell: Rejoice in the Lord Alway "The Bell Anthem", Z. 49 | 9:36 |
| The Deller Consort Alfred Deller, counter-tenor / Mary Thomas, soprano / Honor Shephard, soprano / Robert Tear, tenor / Max Worthley, tenor / Maurice Bevan, baritone Oriana Concert Orchestra / Alfred Deller, conductor | ||
| Henry Purcell: My beloved spake, Z. 23 | ||
| 11 | Ouverture (Sinfonia) | 1:03 |
| 12 | My beloved spake | 0:55 |
| 13 | For, lo, the winter is past | 1:47 |
| 14 | The time of the singing | 1:47 |
| 15 | And the voice of the turtle | 1:31 |
| 16 | The fig tree | 1:02 |
| 17 | Arise | 0:36 |
| 18 | My beloved is mine | 3:10 |
| The Deller Consort Alfred Deller, counter-tenor / April Cantelo, soprano / Gerald English, tenor / Maurice Bevan, baritone Walter Bergmann, harpsichord Kalmar Orchestra of London / Alfred Deller, conductor | ||
| John Blow: Ode on the Death of Mr. Henry Purcell | ||
| 19 | Mark how the lark and linnet sing | 3:58 |
| 20 | But in the close of the night | 4:54 |
| 21 | So ceas'd the rival crew | 2:50 |
| 22 | We beg not Hell | 2:05 |
| 23 | The pow'r of harmony too well they knew | 2:46 |
| 24 | The heav'nly choir | 3:37 |
| 25 | Ye brethren of the lyre | 2:50 |
| Alfred Deller, counter-tenor / John Whitworth, counter-tenor Christopher Taylor, recorder / Richard Taylor, recorder / Anne Shuttleworth, cello / Walter Bergmann, harpsichord |